Inglourious Basterds

For all you Tarantino fans who liked his latest movie, history is perhaps not something he should have messed with, and especially not this history. Yes, it's fiction, but as a filmmaker is he exempt from historical truth? Exempt from being responsible with history? It seems some critics do not feel he has the knowledge or sensitivity to be in this realm. (See end of Newsweek and NY Times critique below.) Both critics had good things to say, but in their final assessment were not pleased with the film. His knowledge of pop culture and film is his forte and maybe that's what he should stick to. A rather dicey chance he's taken with this film.  Even though the story is fiction, unfortunately many people do not know the history of this time and might not discern fact from fiction. See quotes below:
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"Tarantino's movie may be the latest, if the most extreme, example of a trend that shows just how fragile memory can be—a series of popular World War II films that disproportionately emphasize armed Jewish heroism (Defiance) and German resistance (Valkyrie, White Rose), or elicit sympathy for German moral confusion (The Reader). If so, it may be that our present-day taste for "empowerment," our anxious horror of being represented as "victims"—nowadays there are no victims, only "survivors"—has begun to distort the representation of the past, one in which passive victims, alas, vastly outnumbered those who were able to fight back. "Facts can be so misleading," Hans Landa, the evil SS man, murmurs at one point in Inglourious Basterds. Perhaps, but fantasies are even more misleading. To indulge them at the expense of the truth of history would be the most inglorious bastardization of all."
("'Inglourious Basterds’: When Jews Attack." By Daniel Mendelsohn, Aug 14, 2009.)  http://www.newsweek.com/id/212016

And NY Times:

"Cartoon Nazis are not new to the movies, and neither are fascinating fascists, as evidenced by Ralph Fiennes’s Oscar-nominated turn in “Schindler’s List.” Unlike those in “Schindler’s List,” Mr. Tarantino’s Nazis exist in an insistently fictional cinematic space where heroes and villains converge amid a welter of movie allusions. He’s not making a documentary or trying to be Steven Spielberg: Mr. Tarantino is really only serious about his own films, not history. In that sense “Inglourious Basterds,” which takes its title if not its misspellings from an Italian flick in “The Dirty Dozen” vein, is simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love. "
("Tarantino Avengers in Nazi Movieland." By MANOHLA DARGIS, Aug. 21, 2009.) http://movies.nytimes.com/2009/08/21/movies/21inglourious.html

Rachael Ray and Being Childless

Rachael Ray and Being Childless By Choice - The Juggle - WSJ. A reader comment: "Having children is not about fulfilling your personal fantasy for your life. They are not toys. They do not complete you or all the other crap you hear from some people. No human does that and the desperation with which some women approach having a child is proof enough that people are not thinking clearly about what it is to be a parent."

I have been doing searches on Julia Child since I saw the movie Julie&Julia this week. I guess I've picked up another theme via cooking: having children or not having children, by choice or by circumstance. For me, as for others, it was 'circumstances' (namely, TIMING - relationships ending, getting older, less energy, the dictates of biology, not paying attention to the facts of biology), and it has not been easy and is in last decision stages.

Elk Grove News.net: Weekend Movie Review; The Three J's - Julia, Julie and Joe

Elk Grove News.net: Weekend Movie Review; The Three J's - Julia, Julie and Joe: "Maybe the screen writer is the one to blame, but this movie just irked me so much. Julie seemed so fragile, a girl that you would hate to be married to... to think about it, she is trying to get fame from someone's else's hard work. recreating every recipe and blogging about the experience does not make her to be an instantaneous four star Author. How can you really bypass, years of hard work and dedication unlike many authors out there who writes about politics, social issues, fashion etc... who spent their whole lives researching and reporting. Don't get me wrong, blogging is a great way to share ideas and to flex the noggin muscle, but I think hard work has to come out from other aspects of any endeavor beside just one try."

This is similar to what I've said in previous posts about another 'instant writer' (I say -shaken, not stirred, and pour), so now I don't feel like 'sour grapes' for blogging about it.

Go Retro!: The Saucy Sex Life of Julia Child

Go Retro!: The Saucy Sex Life of Julia Child

I really enjoyed reading this post, especially as I did wonder about her reaction in the film Julie and Julia to her sister's announcement. I'm not sure, though, that having children or not has anything to do with 'making it' in a profession. One could say then that if you are childless you should be a Superstar because, after all, you don't have kids. Perhaps you would have a better chance at success without kids; that is, if you define success (as it seems this Blogger was), as attaining extraordinary wealth and/or fame.

Borzoi Reader | Authors | Julia Child

Borzoi Reader Authors Julia Child
The Making of...Mastering the Art of French Cooking. The Story of "Mastering" at Knopf by Judith Jones

Another "Instant" Writer!

This piece appeared in More Magazine, Feb. 2009. It's clear from this write-up that Karen had an array of contacts at her disposal, not to mention incredible concentration. Did she really write for 10 hours? That is unbelievable! Can any writer sit that long at a desk and be creative? Did the novel really all come out in a nice, neat draft easily handed over to an editor and agent? How many writers have a well-known agent take them out to lunch when they have a draft of a novel? Someone had incredible 'pull.' This is not 'sour grapes,' but just to point out how nearly impossible this situation is. This piece misrepresents the reality and hard knocks of this business. I have been writing since I was a child - now about 40 years-- and I have published, but nothing comparable to the scale of The Ivy Chronicles. It is a mythic story: "I think I'll be a writer" and *poof* after 10 hr. days for 3 months at the computer - a Bestseller is born. This is not an uplifting piece, but a disheartening one, for those who have been serious writers (and even trained) for decades and who still have not 'broken out.' I realize that these fairy tales do occur, but they are presented as commonplace. At least tell the truth about how powerful and/or well-connected the 'instant writers' really are. Also, how much work did the editor have to do on the novel to make it work? There's always more to the story, and I realize the 'true story' would not be equal to this "out of breath," exciting tale.

From Entrepreneur to Best-selling Novelist
Elizabeth Gehrman

Karen Quinn:"THE NANNY DIARIES had just come out and I figured, maybe I can write a best-seller too"

Who: Karen Quinn, 53, Miami Beach, Florida
What: Sold her business to write; her first novel was a best seller.
When: In 2001, when she was 45, Karen Quinn was unexpectedly laid off after working for 15 years in advertising at American Express. This didn't cause a financial crisis; her husband was a lawyer at a brokerage firm, and she received a substantial severance package. Still, she says, "I was devastated. I remember thinking, I've had this job for so long. How am I ever going to do anything else?" Then she realized she did have one qualification that could translate into paying work: She had gotten her kids accepted into private schools in Manhattan.

To most parents, that doesn't sound like a major accomplishment. But anyone going through the process in New York City knows that competition for spots is unbelievably tight. "You feel so judged," Quinn says. "I hated the experience. I thought, if I can help people through this and make it better for them, maybe there's a business in it."

She paired up with another mother at her children's school, and together they got the business up and running. But after a couple of years, Quinn could no longer stand the drama and the excess she witnessed. She remembers one woman, a single mother, who hired an actor to pretend to be her husband as she went through the process. "It worked," Quinn says, "but the next fall she had to pretend to go through a divorce." On another occasion, Quinn was helping a little girl cram for an entrance exam when the child held up her hands and said, "Stop! Can't you see I'm only 4?"

Quinn sold her share of the company to her partner and started casting about for another career. She had always fantasized about being a writer, and it occurred to her that she had a lot of juicy material from her school adventures. "The Nanny Diaries had just come out," she says, "And I figured, well, that was a best seller, maybe I can write one too."

She and her husband agreed that she would work on the manuscript for three months before looking for another job. So she sat in front of her computer for 10 hours a day, plugging away on a humorous story about a woman who -- you guessed it -- gets fired from the corporate world and starts a private-school consulting firm. As it happened, a friend of Quinn's had a connection to the Nanny editor, so when Quinn finished a draft, she called her. "The editor had me drop off the book at her company's mail room," Quinn recalls. "There were bins and bins of books --thousands of manuscripts people had sent in that were all being returned with rejection letters. For the first time I thought, maybe I won't get published after all."

The editor initially rejected the manuscript, but she did recommend that Quinn make the main character more likable. It took Quinn another month to do the rewrite. When she finished, she told the good news to her babysitter, who turned out to have hosted playdates for the son of a literary agent. The agent took Quinn to lunch, and before the check arrived, the woman had agreed to represent her. Around the same time, Quinn's husband mentioned the book to one of his acquaintances -- who turned out to have edited the book The Devil Wears Prada. "I sent her the manuscript," Quinn says. "When she e-mailed to say she'd read it, loved it, and wanted to publish it -- it was truly one of the most exciting moments of my life."

Her agent set up an auction for the book, and in September 2004, almost six months after Quinn started writing, the novel sold for a price in the mid six figures. The Ivy Chronicles was released in the spring of 2005 and became an immediate national best seller; Sarah Jessica Parker has signed on to play the lead in a movie version. Quinn, meantime, has published two other novels -- Wife in the Fast Lane and Holly Would Dream -- and signed contracts for two more. "A lot of people didn't believe I could do it at the beginning," she says. "You have to listen to that inner voice that says, yeah, I can. You may end up somewhere you never could have imagined."